As with the traditional construction techniques of the Janome Wagasa, strong traditional linseed oil is then applied to washi paper to waterproof the product, making it usable in any amount of rain. The gentle patter of rain on the Wagasa is a sound so pure and hypnotic – a rhythmic dance unlike any other you’ve heard before.

Over time, the linseed oil will turn the colour of the umbrella to flaxen, which actually improves its strength. It is important to understand that the fading colour does not represent deterioration in any way. In fact, the elegant flaxen colour is more desirable and one to appreciate by its owner.

This product can also be personalized at no additional cost. We will contact the purchaser by email after the product is ordered for the desired name (if any) on the umbrella.

Details:

• Width: 116cm (45.7”) Height: 73cm (28.7”)
• Handmade and hand-painted in Kyoto using techniques unchanged for over 5 generations
• Strong traditional linseed oil is applied to the Wagasa to waterproof the product
• Made from natural Japanese bamboo, silk and organic washi paper
• The bamboo ribs attached to the washi paper form a brilliant contrast between the colors of the paper and the bamboo.
• There are two notches on the handle. Use the lower notch in stronger winds to prevent the umbrella from being damaged.
• A wonderfully unique product, completely safe in the rain, the envy of those walking by!
• Each umbrella takes approximately 2-3 weeks to complete from start to finish.
• Ships within about 2 weeks

Geisha, Maiko & Janome

The Janome Wagasa is famously associated with Kyoto’s Maiko (apprentice geisha) and Geisha, as it perfectly compliments a traditional Kimono. Often Ukiyo-e woodblock prints of the Edo period (1603-1867) will feature these beautiful women with a Janome Wagasa, a symbol of elegance and sophistication. Janome Wagasa also plays an important role in Kabuki, a form of traditional Japanese theatre.

As with the traditional construction techniques of the Janome Wagasa, strong traditional linseed oil is then applied to washi paper to waterproof the product, making it usable in any amount of rain. The gentle patter of rain on the Wagasa is a sound so pure and hypnotic – a rhythmic dance unlike any other you’ve heard before.

Over time, the linseed oil will turn the colour of the umbrella to flaxen, which actually improves its strength. It is important to understand that the fading colour does not represent deterioration in any way. In fact, the elegant flaxen colour is more desirable and one to appreciate by its owner.

This product can also be personalized at no additional cost. We will contact the purchaser by email after the product is ordered for the desired name (if any) on the umbrella.

Details:

• Width: 116cm (45.7”) Height: 73cm (28.7”)
• Handmade and hand-painted in Kyoto using techniques unchanged for over 5 generations
• Strong traditional linseed oil is applied to the Wagasa to waterproof the product
• Made from natural Japanese bamboo, silk and organic washi paper
• The bamboo ribs attached to the washi paper form a brilliant contrast between the colors of the paper and the bamboo.
• There are two notches on the handle. Use the lower notch in stronger winds to prevent the umbrella from being damaged.
• A wonderfully unique product, completely safe in the rain, the envy of those walking by!
• Each umbrella takes approximately 2-3 weeks to complete from start to finish.
• Ships within about 2 weeks

Geisha, Maiko & Janome

The Janome Wagasa is famously associated with Kyoto’s Maiko (apprentice geisha) and Geisha, as it perfectly compliments a traditional Kimono. Often Ukiyo-e woodblock prints of the Edo period (1603-1867) will feature these beautiful women with a Janome Wagasa, a symbol of elegance and sophistication. Janome Wagasa also plays an important role in Kabuki, a form of traditional Japanese theatre.

Strong traditional flax oil is applied to the Janone Wagasa to waterproof them, making it usable in any amount of rain. The gentle patter of the rain on the Wagasa is a sound so pure and hypnotic – a rhythmic dance unlike any other you’ve heard before.

Over time, the flax oil will turn the colour of the umbrella to flaxen, which actually improves its strength. It is important to understand that the fading colour does not represent deterioration in any way. In fact, the elegant flaxen colour is more desirable and one to appreciate by its owner.

Details:

• Width: 116cm (45.7”) Height: 73cm (28.7”)
• Handmade and hand-painted in Kyoto using techniques unchanged for over 5 generations
• Strong traditional flax oil is applied to the Janone Wagasa to waterproof the product
• Made from natural Japanese bamboo and organic washi paper
• The bamboo ribs attached to the washi paper form a brilliant contrast between the colors of the paper and the bamboo.
• There are two notches on the handle. Use the lower notch in stronger winds to prevent the umbrella from being damaged.
• Each umbrella takes approximately 2-3 weeks to complete from start to finish.
• A wonderfully unique product, the envy of those walking by!

Geisha, Maiko & Janome

The Janome Wagasa is famously associated with Kyoto’s Maiko (apprentice geisha) and Geisha, as it perfectly compliments a traditional Kimono. Often Ukiyo-e woodblock prints of the Edo period (1603-1867) will feature these beautiful women with a Janome Wagasa, a symbol of elegance and sophistication. Janome Wagasa also plays an important role in Kabuki, a form of traditional Japanese theatre.

Strong traditional flax oil is applied to the Janone Wagasa to waterproof them, making it usable in any amount of rain. The gentle patter of the rain on the Wagasa is a sound so pure and hypnotic – a rhythmic dance unlike any other you’ve heard before.

Over time, the flax oil will turn the colour of the umbrella to flaxen, which actually improves its strength. It is important to understand that the fading colour does not represent deterioration in any way. In fact, the elegant flaxen colour is more desirable and one to appreciate by its owner.

Details:

• Width: 116cm (45.7”) Height: 73cm (28.7”)
• Handmade and hand-painted in Kyoto using techniques unchanged for over 5 generations
• Strong traditional flax oil is applied to the Janone Wagasa to waterproof the product
• Made from natural Japanese bamboo and organic washi paper
• The bamboo ribs attached to the washi paper form a brilliant contrast between the colors of the paper and the bamboo.
• There are two notches on the handle. Use the lower notch in stronger winds to prevent the umbrella from being damaged.
• Each umbrella takes approximately 2-3 weeks to complete from start to finish.
• A wonderfully unique product, the envy of those walking by!

Geisha, Maiko & Janome

The Janome Wagasa is famously associated with Kyoto’s Maiko (apprentice geisha) and Geisha, as it perfectly compliments a traditional Kimono. Often Ukiyo-e woodblock prints of the Edo period (1603-1867) will feature these beautiful women with a Janome Wagasa, a symbol of elegance and sophistication. Janome Wagasa also plays an important role in Kabuki, a form of traditional Japanese theatre.

The book is divided into categories that highlight the various seasons in the Japanese calendar. During the peach festival, butterflies, violets and Japanese doll origami are taught, while for the summer season, illustrations for dolphins and yachts are provided. There are even creations for Christmas, which include a church, bell, Santa Claus and the traditional Christmas tree. Boasting over 60 origami ideas, this book inspires creativity and a passion for paper crafts.

Comprising of the Japanese kanji “oru” (which means to fold), and “kami” (paper), origami is the ancient Japanese art of geometrical paper folding to represent objects. The origins of origami date all the way back to the 6th century when Chinese Buddhist monks brought paper to Japan. During the Heian period, origami played a significant cultural role as samurai warriors partook in the exchange of gifts decorated with noshi, a gesture of luck made by folding strips of paper.

A basic origami may comprise of only a few folding techniques, but these can be combined in a variety of ways to create a more intricate design like the Japanese crane. Generally, origami is made on a square piece of paper with a design or colour on one side. For more elaborate creations, two-sided designs may be used, some cutting of the paper may be involved, and some plans even call for the gluing of several pieces together to form one large piece. With origami, the possibilities are endless – just give it a try and let your imagination flow!

Comprising of the Japanese kanji “oru” (which means to fold), and “kami” (paper), origami is the ancient Japanese art of geometrical paper folding to represent objects. The origins of origami date all the way back to the 6th century when Chinese Buddhist monks brought paper to Japan. During the Heian period, origami played a significant cultural role as samurai warriors partook in the exchange of gifts decorated with noshi, a gesture of luck made by folding strips of paper.

A basic origami may comprise of only a few folding techniques, but these can be combined in a variety of ways to create a more intricate design like the Japanese crane. Generally, origami is made on a square piece of paper with a design or colour on one side. For more elaborate creations, two-sided designs may be used, some cutting of the paper may be involved, and some plans even call for the gluing of several pieces together to form one large piece. With origami, the possibilities are endless – just give it a try and let your imagination flow!

• Size: 10cm x 10cm (3.9in x 3.9in)
• 40 pieces
• Various Japanese designs

SPECIAL SHIPPING OFFER!

For a limited time, pay just one low FLAT-RATE EXPRESS SHIPPING FEE for any number of Origami Paper Sets placed in your shopping basket.

*Flat-rate express shipping fees are determined by the destination area.  All shipments on uniquejapan.com come with a track & trace number that we share with you:

• Asia: $10.95
• North America, Central America, Oceania, Middle East, Europe: $12.95
• South America and Africa: $15.95

Comprising of the Japanese kanji “oru” (which means to fold), and “kami” (paper), origami is the ancient Japanese art of geometrical paper folding to represent objects. The origins of origami date all the way back to the 6th century when Chinese Buddhist monks brought paper to Japan. During the Heian period, origami played a significant cultural role as samurai warriors partook in the exchange of gifts decorated with noshi, a gesture of luck made by folding strips of paper.

A basic origami may comprise of only a few folding techniques, but these can be combined in a variety of ways to create a more intricate design like the Japanese crane. Generally, origami is made on a square piece of paper with a design or colour on one side. For more elaborate creations, two-sided designs may be used, some cutting of the paper may be involved, and some plans even call for the gluing of several pieces together to form one large piece. With origami, the possibilities are endless – just give it a try and let your imagination flow!

• Size: 19cm x 19cm (7.48in x 7.48in)
• 20 pieces
• Various Japanese designs

SPECIAL SHIPPING OFFER!

For a limited time, pay just one low FLAT-RATE EXPRESS SHIPPING FEE for any number of Origami Paper Sets placed in your shopping basket.

*Flat-rate express shipping fees are determined by the destination area.  All shipments on uniquejapan.com come with a track & trace number that we share with you:

• Asia: $10.95
• North America, Central America, Oceania, Middle East, Europe: $12.95
• South America and Africa: $15.95

Composed of 2 kanji characters, Washi literally means Japanese (wa) paper (shi). It is believed that the Japanese art of paper making was brought in from China in 610AD by Buddhist monks who produced it for writing sutras. In merely 200 years, the level of craftsmanship had advanced so far that the variety in colour, texture and design had grown to an unbelievable range. By the late 1800’s it was recorded that there were no less than 100,000 families involved in the papermaking industry, by hand. However, this traditional art has since dwindled to only about a handful of 400 or so families as mechanised papermaking technology from the West became more sought after.

The plants which are used to make traditional washi paper are kouzo (paper mulberry), mitsumata and gampi. The strengths of each of these shrubs are combined to provide an organic paper which is both thick and strong in texture, yet soft and delicate to the touch. With the bark removed, the branches of these plants are trimmed and soaked. The inner bark is then painstakingly separated, cleaned, pounded and stretched. Fermented tororo-aoi (fermented hibiscus root) is further added to produce a paste-like substance when combined. This paste is then evenly spread out on a bamboo mesh screen, each layer forming a sheet of paper which is piled up wet and laid to dry on wood.

• Paper: Size: 8cm x 8cm (3.1in x 3.1in)
• 160 pieces
• Various pastel & solid hues
• Authentic Echizen paper, environmentally-friendly

Echizen is a small city near the Sea of Japan with a long tradition of paper making. Papermakers there were once given the honour of creating Japan’s paper currency from the start of the Meiji Restoration in 1868. Legend has it that some 1,500 years ago, a beautiful princess came to the village of Okatagawa and taught the people there how to make paper.

Composed of 2 kanji characters, Washi literally means Japanese (wa) paper (shi). It is believed that the Japanese art of paper making was brought in from China in 610AD by Buddhist monks who produced it for writing sutras. In merely 200 years, the level of craftsmanship had advanced so far that the variety in colour, texture and design had grown to an unbelievable range. By the late 1800’s it was recorded that there were no less than 100,000 families involved in the papermaking industry, by hand. However, this traditional art has since dwindled to only about a handful of 400 or so families as mechanised papermaking technology from the West became more sought after.

The plants which are used to make traditional washi paper are kouzo (paper mulberry), mitsumata and gampi. The strengths of each of these shrubs are combined to provide an organic paper which is both thick and strong in texture, yet soft and delicate to the touch. With the bark removed, the branches of these plants are trimmed and soaked. The inner bark is then painstakingly separated, cleaned, pounded and stretched. Fermented tororo-aoi (fermented hibiscus root) is further added to produce a paste-like substance when combined. This paste is then evenly spread out on a bamboo mesh screen, each layer forming a sheet of paper which is piled up wet and laid to dry on wood.

The set contains 2 A4 size cards, 6 large papers, 5 smaller papers & 6 envelopes. The paper is soft and smooth with beautiful fibrous edges. With textured character visible on one side and a coloured surface on the other, the paper is smooth enough to be used for regular printing on an inkjet printer.

• Paper: 2 A4 size (210mm (8.27in) x 297mm (11.7in)) hard-cover cards, 6 large-sized & 5 smaller papers
• Envelopes: 6 pieces with coloured flaps
• Japanese green tea solid colour
• Authentic Echizen paper, environmentally-friendly

Echizen is a small city near the Sea of Japan with a long tradition of paper making. Papermakers there were once given the honour of creating Japan’s paper currency from the start of the Meiji Restoration in 1868. Legend has it that some 1,500 years ago; a beautiful princess came to the village of Okatagawa and taught the people there how to make paper.

Composed of 2 kanji characters, Washi literally means Japanese (wa) paper (shi). It is believed that the Japanese art of paper making was brought in from China in 610AD by Buddhist monks who produced it for writing sutras. In merely 200 years, the level of craftsmanship had advanced so far that the variety in colour, texture and design had grown to an unbelievable range. By the late 1800’s it was recorded that there were no less than 100,000 families involved in the papermaking industry, by hand. However, this traditional art has since dwindled to only about a handful of 400 or so families as mechanised papermaking technology from the West became more sought after.

The plants which are used to make traditional washi paper are kouzo (paper mulberry), mitsumata and gampi. The strengths of each of these shrubs are combined to provide an organic paper which is both thick and strong in texture, yet soft and delicate to the touch. With the bark removed, the branches of these plants are trimmed and soaked. The inner bark is then painstakingly separated, cleaned, pounded and stretched. Fermented tororo-aoi (fermented hibiscus root) is further added to produce a paste-like substance when combined. This paste is then evenly spread out on a bamboo mesh screen, each layer forming a sheet of paper which is piled up wet and laid to dry on wood.

The set contains 2 A4 size cards, 6 large papers, 5 smaller papers & 6 envelopes. The paper is soft and smooth with beautiful fibrous edges. With textured character visible on one side and a coloured surface on the other, the paper is smooth enough to be used for regular printing on an inkjet printer.

• Paper: 2 A4 size (210mm (8.27in) x 297mm (11.7in)) hard-cover cards, 6 large-sized & 5 smaller papers
• Envelopes: 6 pieces with coloured flaps
• Japanese green tea solid colour
• Authentic Echizen paper, environmentally-friendly

Echizen is a small city near the Sea of Japan with a long tradition of paper making. Papermakers there were once given the honour of creating Japan’s paper currency from the start of the Meiji Restoration in 1868. Legend has it that some 1,500 years ago; a beautiful princess came to the village of Okatagawa and taught the people there how to make paper.

The set contains 10 sheets of paper plus 5 envelopes. The paper is soft and smooth with beautiful fibrous edges. With its pearl white colour, this set has a stunning presence, suitable for business or pleasure. Paper and envelopes are packaged with the label from the maker that reads “Pure Echizen Paper” (in Japanese).

• Paper: 25cm (9.8-in) x 16cm (6.3-in)
• Envelopes: 20.5cm (8-in) x 9cm (3.5-in)
• 10 sheets of paper, 5 envelopes in one set
• Pure white colour
• Authentic Echizen paper, environmentally-friendly

The set contains 10 sheets of paper plus 5 envelopes. The paper is soft and smooth with beautiful fibrous edges. With its elegant rose pink colour, this set has a distinctively feminine touch. Paper and envelopes are packaged with the label from the maker that reads “Pure Echizen Paper” (in Japanese).

• Paper: 25cm (9.8-in) x 16cm (6.3-in)
• Envelopes: 20.5cm (8-in) x 9cm (3.5-in)
• 10 sheets of paper, 5 envelopes in one set
• Faded pink colour
• Subtle lines on paper for guidance
• Authentic Echizen paper, environmentally-friendly

Echizen Echizen is a small city near the Sea of Japan with a long tradition of paper making. Papermakers there were once given the honour of creating Japan’s paper currency from the start of the Meiji Restoration in 1868. Legend has it that some 1,500 years ago, a beautiful princess came to the village of Okatagawa and taught the people there how to make paper.

The set contains 10 sheets of paper plus 5 envelopes. The paper is soft and smooth with beautiful fibrous edges. With its rich cream colour, this set has a refined look, suitable for business or pleasure. Paper and envelopes are packaged with the label from the maker that reads “Pure Echizen Paper” (in Japanese).

• Paper: 25cm (9.8-in) x 16cm (6.3-in)
• Envelopes: 20.5cm (8-in) x 9cm (3.5-in)
• 10 sheets of paper, 5 envelopes in one set
• Ivory cream colour
• Authentic Echizen paper, environmentally-friendly

Echizen Echizen is a small city near the Sea of Japan with a long tradition of paper making. Papermakers there were once given the honour of creating Japan’s paper currency from the start of the Meiji Restoration in 1868. Legend has it that some 1,500 years ago, a beautiful princess came to the village of Okatagawa and taught the people there how to make paper.

Details

Width:4cm (1.7″); Height: 2.5cm (1″)

Very sturdy, holds one candle upright

Individually handmade and hand painted in Kyoto, Japan

Base made of porcelain and spike of copper

A printed product description as written on this page is included with the product

Rich history

Candles from Kyoto are acknowledged as the finest candles in Japan, and their handmade creative process has essentially remained unchanged since the Edo period (1603-1867).

The procedure begins by wrapping, by hand, a thin bamboo stick with Japanese paper (washi) and then Igusa (dried rush leaves) – both act as the core of the candle. The core is then covered, layer by layer, with melted wax from the locally grown Hazenoki tree (Sumac or wax tree), giving the candle a distinctive and natural off-white color. Once complete, the surface of the candle is smoothed, the bamboo core removed, and the wick is cut to an appropriate length.

Details

Each candle height: 16cm (6.3″)

Elegantly burns for about 2 hours

Set contains 1 white candle and 1 red candle handpainted with a beautiful floral decoration

1 Sakura (Cherry Blossom) candle stick holder included

A versatile and thoughtful gift to be enjoyed by a friend or loved one

Individually handmade in Kyoto, Japan

A printed product description as written on this page is included with the product

Warosoku provides a uniquely soft glow that’s very calming and reassuring and quite unlike candles found in Western countries. Along with incense and flowers, Japanese candles are one of three traditional elements of Buddhist meditation and reverence ceremonies. Traditionally speaking, white candles are enjoyed on a daily basis and red candles are burned on more celebratory occasions, such as the birth of child, marriage, and graduation.

Rich history

Candles from Kyoto are acknowledged as the finest candles in Japan, and their handmade creative process has essentially remained unchanged since the Edo period (1603-1867).

The procedure begins by wrapping, by hand, a thin bamboo stick with Japanese paper (washi) and then Igusa (dried rush leaves) – both act as the core of the candle. The core is then covered, layer by layer, with melted wax from the locally grown Hazenoki tree (Sumac or wax tree), giving the candle a distinctive and natural off-white color. Once complete, the surface of the candle is smoothed, the bamboo core removed, and the wick is cut to an appropriate length.

Details

Each candle height: 16cm (6.3″)

Elegantly burns for about 3 hours

Set contains 2 white candles and 2 red candles

2 Sakura (Cherry Blossom) candle stick holders included

A versatile and thoughtful gift to be enjoyed by a friend or loved one

Individually handmade in Kyoto, Japan

Packaged in a lovely Kiri (Japanese Paulownia wood) Box

A printed product description as written on this page is included with the product

Warosoku provides a uniquely soft glow that’s very calming and reassuring and quite unlike candles found in Western countries. Along with incense and flowers, Japanese candles are one of three traditional elements of Buddhist meditation and reverence ceremonies. Traditionally speaking, white candles are enjoyed on a daily basis and red candles are burned on more celebratory occasions, such as the birth of child, marriage, and graduation.

Candles from Kyoto are acknowledged as the finest candles in Japan, and their handmade creative process has essentially remained unchanged since the Edo period (1603-1867).

The procedure begins by wrapping, by hand, a thin bamboo stick with Japanese paper (washi) and then Igusa (dried rush leaves) – both act as the core of the candle. The core is then covered, layer by layer, with melted wax from the locally grown Hazenoki tree (Sumac or wax tree), giving the candle a distinctive and natural off-white color. Once complete, the surface of the candle is smoothed, the bamboo core removed, and the wick is cut to an appropriate length.

Details

Each candle height:8cm (3.1″)

Elegantly burns for about an hour

Set contains 4 white candles and 1 red candle

A versatile and thoughtful gift to be enjoyed by a friend or loved one

Individually handmade in Kyoto, Japan

Sakura (Cherry Blossom) candle stick holder sold separately

The procedure begins by wrapping, by hand, a thin bamboo stick with Japanese paper (washi) and then Igusa (dried rush leaves) – both act as the core of the candle. The core is then covered, layer by layer, with melted wax from the locally grown Hazenoki tree (Sumac or wax tree), giving the candle a distinctive and natural off-white color. Once complete, the surface of the candle is smoothed, the bamboo core removed, and the wick is cut to an appropriate length.

Details

Each candle height:13cm (5″)

Elegantly burns for about 1.5 hours

A versatile and thoughtful gift to be enjoyed by a friend or loved one

Individually handmade in Kyoto, Japan

20 sticks packaged in a lovely Kiri (Japanese Paulownia wood) Box

Sakura (Cherry Blossom) candle stick holder sold separately

A printed product description as written on this page is included with the product

Warosoku provides a uniquely soft glow that’s very calming and reassuring and quite unlike candles found in Western countries. Along with incense and flowers, Japanese candles are one of three traditional elements of Buddhist meditation and reverence ceremonies. Traditionally speaking, white candles are enjoyed on a daily basis and red candles are burned on more celebratory occasions, such as the birth of child, marriage, and graduation.

Rich history

Candles from Kyoto are acknowledged as the finest candles in Japan, and their handmade creative process has essentially remained unchanged since the Edo period (1603-1867).

The byoubu is a folding screen consisting of multiple, joined panels. According to one Han dynasty record, the byoubu is defined as an object that blocks wind. Not surprising, considering the kanji’s that make up the word are “byou” (object that protects from) and “bu” (wind). By the 8th century, the innovative shift from single to multiple panels was so highly regarded that they immediately became used as furnishings for the imperial courts of Japan, especially for important ceremonies.

During this period, the screens consisted of six silk-covered panels connected by leather or silk cords. Silk brocade frames the painting on each individual screen, which is then bound by a wooden frame. Brought down through the generations, this technique is still used in crafting these artistic panels. The quality of the craftsmanship is further augmented with the use of gold leaf to adorn the paintings.

The exceptional nature of this screen stems from the gold that decorates the painting. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Apart from use as a stand-alone folding screen, it may also be hung on the wall. Please e-mail us for more details about custom designing for this option.

Height: 148cm

Width: 148cm (74cm each)

This is a ONE OF A KIND item, and will not be reproduced by the artist. First come, first served.

The byoubu is a folding screen consisting of multiple, joined panels. According to one Han dynasty record, the byoubu is defined as an object that blocks wind. Not surprising, considering the kanji’s that make up the word are “byou” (object that protects from) and “bu” (wind). By the 8th century, the innovative shift from single to multiple panels was so highly regarded that they immediately became used as furnishings for the imperial courts of Japan, especially for important ceremonies.

During this period, the screens consisted of six silk-covered panels connected by leather or silk cords. Silk brocade frames the painting on each individual screen, which is then bound by a wooden frame. Brought down through the generations, this technique is still used in crafting these artistic panels. The quality of the craftsmanship is further augmented with the use of gold leaf to adorn the paintings.

The exceptional nature of this screen stems from the gold that decorates the painting. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.
Apart from use as a stand-alone folding screen, it may also be hung on the wall. Please e-mail us for more details about custom designing for this option.
Each screen is individually hand made, and takes up to 1 and a half months to produce. Also please take note that because of the exceptionally large size of this item, shipping and delivery will take at least 2 weeks.

The byoubu is a folding screen consisting of multiple, joined panels. According to one Han dynasty record, the byoubu is defined as an object that blocks wind. Not surprising, considering the kanji’s that make up the word are “byou” (object that protects from) and “bu” (wind). By the 8th century, the innovative shift from single to multiple panels was so highly regarded that they immediately became used as furnishings for the imperial courts of Japan, especially for important ceremonies.

During this period, the screens consisted of six silk-covered panels connected by leather or silk cords. Silk brocade frames the painting on each individual screen, which is then bound by a wooden frame. Brought down through the generations, this technique is still used in crafting these artistic panels. The quality of the craftsmanship is further augmented with the use of gold leaf to adorn the paintings.

The exceptional nature of this screen stems from the gold that decorates the painting. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Apart from use as a stand-alone folding screen, it may also be hung on the wall. Please e-mail us for more details about custom designing for this option.

Each screen is individually hand made, and takes up to 1 and a half months to produce. Also please take note that because of the exceptionally large size of this item, shipping and delivery will take at least 2 weeks.

The byoubu is a folding screen consisting of multiple, joined panels. According to one Han dynasty record, the byoubu is defined as an object that blocks wind. Not surprising, considering the kanji’s that make up the word are “byou” (object that protects from) and “bu” (wind). By the 8th century, the innovative shift from single to multiple panels was so highly regarded that they immediately became used as furnishings for the imperial courts of Japan, especially for important ceremonies.

During this period, the screens consisted of six silk-covered panels connected by leather or silk cords. Silk brocade frames the painting on each individual screen, which is then bound by a wooden frame. Brought down through the generations, this technique is still used in crafting these artistic panels. The quality of the craftsmanship is further augmented with the use of gold leaf to adorn the paintings.

The exceptional nature of this screen stems from the gold that decorates the painting. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Apart from use as a stand-alone folding screen, it may also be hung on the wall. Please e-mail us for more details about custom designing for this option.

Each screen is individually hand made, and takes up to 1 and a half months to produce. Also please take note that because of the exceptionally large size of this item, shipping and delivery will take at least 2 weeks.

The byoubu is a folding screen consisting of multiple, joined panels. According to one Han dynasty record, the byoubu is defined as an object that blocks wind. Not surprising, considering the kanji’s that make up the word are “byou” (object that protects from) and “bu” (wind). By the 8th century, the innovative shift from single to multiple panels was so highly regarded that they immediately became used as furnishings for the imperial courts of Japan, especially for important ceremonies.

During this period, the screens consisted of six silk-covered panels connected by leather or silk cords. Silk brocade frames the painting on each individual screen, which is then bound by a wooden frame. Brought down through the generations, this technique is still used in crafting these artistic panels. The quality of the craftsmanship is further augmented with the use of gold leaf to adorn the paintings.

The exceptional nature of this screen stems from the gold that decorates the painting. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Apart from use as a stand-alone folding screen, it may also be hung on the wall. Please e-mail us for more details about custom designing for this option.

Each screen is individually hand made, and takes up to 1 and a half months to produce. Also please take note that because of the exceptionally large size of this item, shipping and delivery will take at least 2 weeks.

The exceptional nature of this product stems from the gold that decorates it. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift for business associates or for the man who would enjoy a quality writing instrument
• Standard replaceable ink cartridge
• Unique Kanazawa-haku (top quality gold leaf creation)
• Packaged in its own case
• Handsomely made and lasts for years

The exceptional nature of this product stems from the gold that wraps so neatly around it. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The splendid outcome sheets are magnificent creations, a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Unique Kanazawa-haku (top quality gold leaf creation)
• A superb gift for that special woman
• Durable wood lacquerware, made to last for years
• Hand-painted sparrow and floral decoration
• Beautifully decorative in any room
• 16cm (diameter) x 27cm x 1cm (6.3in x 10.6-in x 0.4-in)
• Consider the matching jewellery box for a lovely set (order below on this page)

The exceptional nature of this frame stems from the silver that decorates it. Known as Kanazawa-haku, or “silver leaf from Kanazawa”, it is produced through a unique process that beats silver into remarkably thin, paper-like sheets. The final outcome is a magnificent creation: sheets a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift or for you to enjoy in your home
• Unique Kanazawa-haku process
• Size: 20cm x 16cm x 2cm (7.9in x 6.3in x 0.8in)

The exceptional nature of this frame stems from the gold that decorates it. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The final outcome is a magnificent creation: sheets a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift or for you to enjoy in your home
• Unique Kanazawa-haku process
• Size: 20cm x 16cm x 2cm (7.9in x 6.3in x 0.8in)

The exceptional nature of this frame stems from the silver that decorates it. Known as Kanazawa-haku, or “silver leaf from Kanazawa”, it is produced through a unique process that beats silver into remarkably thin, paper-like sheets. The final outcome is a magnificent creation: sheets a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift or for you to enjoy in your home
• Unique Kanazawa-haku process
• Size: 15cm x 11.5cm x 3cm (5.9in x 4.5in x 11.2in)

The exceptional nature of this frame stems from the gold that decorates it. Known as Kanazawa-haku, or “gold leaf from Kanazawa”, it is produced through a unique process that beats gold into remarkably thin, paper-like sheets. The final outcome is a magnificent creation: sheets a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift or for you to enjoy in your home
• Unique Kanazawa-haku process
• Size: 15cm x 11.5cm x 3cm (5.9in x 4.5in x 11.2in)

The exceptional nature of this frame stems from the silver that decorates it. Known as Kanazawa-haku, or “silver leaf from Kanazawa”, it is produced through a unique process that beats silver into remarkably thin, paper-like sheets. The final outcome is a magnificent creation: sheets a mere 1/1000 of a millimeter thick.

Kanazawa, a region that sits on the Sea of Japan and bordered by the Japan Alps, produces 99% of Japan’s high-quality gold leaf. Its traditions span as far back as 800AD. The world-famous Kinkaku-ji (Golden Pavilion Temple) in Kyoto is covered almost entirely in gold-leaf was produced in Kanazawa. The region is also famous for its lacquerware (Kanazawa shikki), making this piece a fantastic example of top quality work from Kanazawa.

• Wonderful gift or for you to enjoy in your home
• Unique silver decorative piece
• Size: 20cm x 16cm x 2.5cm (7.9in x 6.3in x 1in)